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慄偺嫄彔偨偪乗乗傾儉僗僥儖僟儉楌巎攷暔娰強憼丂慺昤丒斉夋揥

搶嫗錣弍戝妛戝妛旤弍娰 揥帵幒1丒2
2008擭10寧11擔(嬥)乣11寧24擔(廽丒寧)
寧梛擔媥娰乲偨偩偟10寧13擔乮寧丒廽乯丄11寧3擔乮寧丒廽乯偼奐娰丄10寧14擔乮壩乯丄11寧4擔乮壩乯偼暵娰乴

戞4復丗儗儞僽儔儞僩偺僄僢僠儞僌偺庴梕偲儗儞僽儔儞僩憸
Chapter 4: The reception of Rembrandt's etchings and his image

丂慺昤偵楎傜偢丄僇儗儖丒儓乕僛僼丒僼僅乕僪儖偺斉夋僐儗僋僔儑儞偼旕忢偵幙偑崅偔丄 曐懚忬懺偺傛偄嶌昳孮偱偁傞丅摨帪戙偺夋壠埲奜偵乽墿嬥偺悽婭乿偵拝栚偟偨僼僅乕僪儖偵偲偭偰丄 19悽婭偵嵞傃戝偒側柤惡傪摼偰偄偨儗儞僽儔儞僩偼丄摿偵廳梫側寍弍壠偱偁偭偨丅 儗儞僽儔儞僩偺惗慜偐傜嵟崅寙嶌偲偝傟偨乻昦幰傪桙偡僉儕僗僩乮乽昐僼儖僨儞斉夋乿乯乼乮cat.nos. 53丄54乯丄 偟偐傕丄僐儗僋僞乕偑擬嫸偟偨榓巻偺嶞傝傪尒帠偵庤偵擖傟偰偄傞偙偲偐傜丄僼僅乕僪儖偺栚偑崅偔丄 斵偑柾斖揑側廚廤壠偱偁偭偨偙偲偑傢偐傞丅
丂僼僅乕僪儖偺娭怱偺懳徾偼丄儗儞僽儔儞僩帺恎偺嶌昳偩偗偱側偔丄乽儗儞僽儔儞僩憸乿偵傕峀偑偭偰偄偨丅 僫僔儑僫儕僘儉偺娤揰偐傜僆儔儞僟偺崙柉揑塸梇偵宖偘傜傟偨儗儞僽儔儞僩丄偦偟偰丄僄僢僠儞僌暅嫽偲 枾愙偵寢傃晅偄偨丄僷儕偺寍弍壠偵傛傞儗儞僽儔儞僩悞攓丅 偙偺擇偮偺懁柺偐傜儗儞僽儔儞僩憸傪擣幆偟偨僼僅乕僪儖偼丄儗儞僽儔儞僩帺恎偺嶌昳偩偗偱側偔丄 偦傟傪傕偲偵偟偨斉夋傗寍弍壠儗儞僽儔儞僩憸傪昤偄偨嶌昳傕廚廤偟偨丅
丂戞4復偱偼丄幙偑傛偔婬彮惈偺崅偄嶞傝傪廚廤偟偨僼僅乕僪儖偺斉夋僐儗僋僔儑儞傪尒側偑傜丄 19悽婭偵偍偗傞儗儞僽儔儞僩偺僄僢僠儞僌偺庴梕偲儗儞僽儔儞僩憸偺宍惉偺婳愓傪扝偭偰傒傛偆丅

51. 儗儞僽儔儞僩丒僼傽儞丒儗僀儞丂乻廫帤壦崀壓乼丂1633擭丂傾儉僗僥儖僟儉楌巎攷暔娰
Rembrandt van Rijn (1606-1669), Decent from the Cross (second plate), 1633, Amsterdams Historisch Museum, bequest C. J. Fodor
52. 儗儞僽儔儞僩丒僼傽儞丒儗僀儞丂乻偙偺恖傪尒傛乮僄僢働丒儂儌乯乼丂1636擭丂傾儉僗僥儖僟儉楌巎攷暔娰
Rembrandt van Rijn (1606-1669), Ecce Homo, 1636, Amsterdams Historisch Museum, bequest C. J. Fodor
53. 儗儞僽儔儞僩丒僼傽儞丒儗僀儞丂乻昦恖傪桙偡僉儕僗僩乮昐僼儖僨儞斉夋乯乼丂1648擭崰丂傾儉僗僥儖僟儉楌巎攷暔娰
Rembrandt van Rijn (1606-1669), Christ with the sick (The 'Hundred Guilder Print'), c.1648, Amsterdams Historisch Museum, bequest C. J. Fodor
54. 儗儞僽儔儞僩丒僼傽儞丒儗僀儞丂乻昦恖傪桙偡僉儕僗僩乮昐僼儖僨儞斉夋乯乼丂1648擭崰丂屄恖憼乮挰揷巗棫崙嵺斉夋旤弍娰偵婑戸乯
Rembrandt van Rijn (1606-1669), Christ with the sick (The 'Hundred Guilder Print'), c.1648, Private collection (on